Today I’m looking into ‘Twin Towers’, the latest collaborative effort from Twogeebs and Davila. I’ve recently discovered these artists and their work, and I’ve got to say, I’ve been thoroughly impressed, especially by Twogeebs’ writing style. This joint album is nothing short of phenomenal. Davila not only contributes as an artist but also serves as the engineer and producer for the entire project. In fact, he’s the mastermind behind the boards for all of Twogeebs’ solo projects as well.
What’s particularly impressive about ‘Twin Towers’ is how it came together. The album was created in Davila’s in-home studio, which goes by the name FKR. But here’s the thing – they put this whole thing together in just four days, spread out over a month. They’d meet up one day a week for four weeks, pouring their creativity into the project.
This unconventional approach to album creation adds an interesting layer to the final product. It’s not often you hear about albums being crafted in such a specific, time-boxed manner. It makes me wonder how this process influenced the energy and flow of the tracks.
The fact that they could produce something of this caliber in such a condensed timeframe speaks volumes about their chemistry as collaborators and their individual skills. It’s clear that when Twogeebs and Davila get together, they’re not wasting any time – they’re making every minute count.
The album kicks off with “Enter Tha Villains,” and right away, I’m transported back in time. The opening sample sounds like it’s straight out of some promotional video for the World Trade Institute. It’s got that retro feel that’s become so popular on social media lately. You know the type – your great uncle posting an old video on Instagram saying, “Look at this cringe training video I had to watch back in Hoboken, NJ when I was working the night shift at Burger King.” It feels like it could be an internal employee promo or maybe something broader for educational purposes.
This intro is quintessential Twogeebs. On his last record I looked at, he dropped some deep cut intros that I was very familiar with, which I’ll admit, kind of dates me. Or maybe it just shows how much TV I watch. Either way, it’s part of what makes his music so rewarding. I find myself feeling like Chris Evans as Captain America, just blurting out, “Ha! I get that reference!” It makes me want to listen to his tracks over and over, not just for the entertainment value, but to catch all the clever references and intricate bar structures I might’ve missed the first time around.
As the track properly kicks in, I’m struck by its smooth flow. It’s got this jazzy vibe with a bit of spice to it. The horns in the background are great, and there’s this nice ratatat percussion and beat that really move the song. To me, this track is exactly what you’d expect from an intro – it’s Twogeebs and Davila laying out who they are and what they’re about.
Lyrically, the song gets into areas of respect and the way things are in their world. They’re not shy about flaunting their talent, either. The wordplay is clever, with references that range from everyday objects to grand imagery. They position themselves as formidable figures, ready to take on all comers. They are the best at what they do, and it’s like they’re daring anyone to challenge them.
What really stands out is the partnership between Twogeebs and Davila. They come across as equals, each bringing their own strengths to the table. The mutual respect is evident, and it’s clear they see themselves as a force to be reckoned with when they join forces. And I have to say their collaborations are pretty great. It’s really great how one sort of feeds off the others energy.
All in all, “Enter Tha Villains” is a strong opening track that sets the tone for the rest of the album. The blend of nostalgic samples, smooth production, and sharp lyricism is a winning combination in my book. Which is exactly what I thought of the GT4. It’s a great introduction to the album, and I thoroughly enjoyed it.
‘Lethal Weapon’ kicks off with this psycho-like melody that immediately made me think of old Hitchcock film. It’s not a direct sample or anything, but that’s just the vibe I’m picking up. There’s this eerie feeling as the track starts that really grabs your attention. The beat on this one is incredible, as usual. What’s really interesting here is the background. There are these cool arrangements and orchestrations going on that give the whole thing an almost symphonic quality. It adds this elegant touch to the track that I really love. And there’s nothing better, than elegance in a diss track.
One line in particular cracked me up – it’s about looking at the competition and using their vinyls as frisbees. It’s not just hilarious, but it’s also a pretty sick burn. Because sometimes, I thought about doing the exact same thing. Props to Twogeebs for that one. This track definitely had my head bobbing. The hook is really catchy too, which adds to its replay value which is always great.
Now, there’s this brilliant section where Twogeebs basically becomes a music reviewer himself. And I’ve got to say, listening to it, I was thinking, “Man, I wish I could say this about some of the stuff that comes across my desk for review.” It’s brutally honest in a way that most professional reviewers can’t be, calling out boring tracks and missed opportunities. It’s the kind of critique that might make some artists think twice before sending out their next project.
He delivers a scathing assessment of a hypothetical subpar album. He starts off with penny for the low-quality thoughts in the lyrics, suggesting they’re not worth much. Then he talks about how boring the entire album was to listen to, which is a devastating critique for any musician to hear.
There’s a clever twist where he sarcastically asks if it’s a deluxe edition because he wants more – not because it’s good, but because he’s hoping there might be something better. This is a particularly biting comment, as deluxe editions are usually reserved for successful albums and pack a ton of content. And to hear it and be like……that’s it?
All in all, ‘Lethal Weapon’ is a standout track. It’s got that eerie intro, a solid beat with those elegant orchestral touches, clever wordplay, and that cool reviewer’s perspective.
‘Twist of Fate’ starts off with this beautiful, classy sound that feels like it’s straight out of the golden era of the ’50s. Then there’s this great transition where the beat drops in strong, and I love how smoothly it fuses into the rest of the track. The lyrics in this one are particularly clever. Twogeebs uses some great metaphors to talk about his skills and how he stands out from the competition. There’s a line about walking on diamonds because his mind is constantly creating value, which is a pretty cool way to describe his creative process.
I got a kick out of the Jeff Hardy reference in a song called ‘Twist of Fate’. It’s these kinds of nods that make me feel like I’m in on some inside joke, just like Captain America getting all those references yet again.
This track is packed with cool references to the hip-hop scene. Twogeebs touches on the classic Tupac and Biggie debate, which takes me right back to high school. It reminds me of those endless arguments we used to have, like Superman versus Goku – the kind of debates that never really get settled but are always fun to jump into. There’s even a little jab at Lizzo thrown in there, which adds some current flavor to the mix.
What I really appreciate about this song is how Twogeebs and Davila use it to talk about drowning out all the noise in the scene and just doing their own thing. It feels like they’re rising above all the drama and focusing on what really matters – their music. The arrangements on this track are particularly impressive. The way they blend that classic ’50s sound with modern beats and clever wordplay creates something really cool here.
The closing track of the album, “Where’s Ja?!”, had me bursting into laughter as soon as I saw the title. It’s a brilliant reference to a Dave Chappelle joke that became a meme. For those who might not know, this joke originates from a real event during the September 11th attacks. While every station was covering the tragedy, MTV – which used to be known for its solid news coverage – decided to get reactions from various celebrities, including Ja Rule.
Chappelle’s joke pointed out the absurdity of seeking Ja Rule’s opinion during such a critical moment, when we really needed to hear from experts who knew what was going on. It’s worth noting that MTV News, which was once a groundbreaking source of information and investigative journalism, recently had the plug pulled on it. It’s a sad end for a platform that broke many important stories back in the day.
The track opens with some soft, piano work, overlaid with audio clips of Jesse Ventura discussing Building 3. This sets a somber a mood that contrasts interestingly with the humorous title. What’s fascinating about this song is how it delves into the complexities surrounding the 9/11 events. It covers a wide range of topics, from legitimate criticisms and the terrible decisions made leading up to that day, to some of the more exaggerated or conspiracy-theory-laden ideas that circulated afterward.
The track doesn’t shy away from addressing the confusion many Americans felt in the aftermath, trying to sift through what was real and what wasn’t. It’s like a representation of that “cut through the noise” moment that so many people experienced.
I’m left with a deep appreciation for what Twogeebs and Davila have accomplished here. This collaboration showcases the strengths of both artists, creating something that’s greater than the sum of its parts. Throughout the album, we’re treated to Twogeebs’ razor-sharp wordplay and clever references, which reward repeat listens. His ability to mix complex stories and social commentary into his verses is truly impressive.
Davila’s production work is the perfect complement to Twogeebs’ lyrics, and his own words are great as well. The beats and arrangements are consistently top-notch, with a great mix of hard-hitting rhythms and more melodic, atmospheric elements. From the nostalgic samples to the symphonic touches, each track has its own distinct flavor while still feeling cohesive as part of the larger project.
What really stands out is the creative writing on display here. Whether it’s flipping expectations with unexpected metaphors or delivering biting critiques of the music industry, there’s a level of wit and intelligence that permeates the entire album.
The duo’s chemistry is evident in every track. They play off each other’s strengths, creating a dynamic that keeps the energy high from start to finish. It’s clear they bring out the best in each other creatively.
